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In order for you to finalize your strategy and implement your plan, you’ll need to envision the media results you would like to see. There are different types of media and types of stories through which to reach your audience. The importance of following up after you have made an initial contact cannot be overstated. You may have to contact a journalist/editor/producer several times and remind him or her why you are calling each time. If you depend on your media contact to call or e-mail you back, you will have limited success. Don’t be afraid to be persistent, but respect his or her wishes if the person you contact insists that he or she “doesn’t cover that” or is “not the person to contact.” In that case, feel free to ask him or her for a recommendation for who you might contact.
Outreach via the media will be easier if you become familiar with your local newspapers (dailies, weeklies, monthlies, etc.) and radio and television stations. When you read the paper, take note of the names of reporters who cover issues that might involve your library.
Following is a brief description of each medium:
News. A report on something timely that just happened or will happen soon. This would include an expansion of your library or the receipt of a grant or large donation. Announcing an upcoming event is not as likely to be covered as a news story.
Feature Stories. Press tend to feature a particular person (an outstanding volunteer, for example) or issue (literacy) and are not necessarily driven by something that is timely. Feature stories are sometimes called “evergreen” because they can sit unpublished in the hopper for many moons.
Listings. You might ask a paper to list an upcoming event or help you get the word out if your library’s hours change.
Editorials. These are opinion pieces written by one or more members of your newspaper’s editorial board, and reflect the opinion of the publication. The editorial board is not related to the reporters of news.
Ads. These are paid advertisements that you pay the newspaper to print. Some newspapers require camera-ready graphics. Others will do the layout for you.
Public Service Announcements (PSAs). Public service announcements are free ads made available to non-profits as a community service. The announcements are submitted by you and published by a newspaper free of charge. Community newspapers are ideal targets for print PSAs. So are radio stations (see below.) PSAs are intended to provide information, and are not appropriate for “calls to action.” The campaign has print PSAs available online.
Letters to the Editor. These are short, time-sensitive letters anyone (although not anonymously) can write that the paper prints (sometimes edited) at its discretion. They may be a comment from your library director, your board chair, a volunteer, or a supporter in reaction to an article in the paper or even a political issue in your community. Your newspaper will have specific guidelines for submitting one. If you or another member of your staff submits one, be sure to identify your affiliation with the library.
Op-Eds. Op-eds (standing for opposite the editorial page) provide a place in papers (and some magazines) for readers to express their views. To submit an op-ed, it is generally wise to call the editor of the op-ed or editorial page and explain your idea briefly as well as your affiliation with the library. Most op-eds are about 750 words, but you may want to ask about length as well. When submitting your op-ed, include a proposed headline. Don’t be surprised if the headline changes or the editor makes minor edits to your piece.
Photo-Ops. A photo-op (or photo opportunity) is any situation that would yield a good photo in the newspaper; for example, a special guest reading a story to a group of young children at the library. If you identify a photo-op, call the photo desk at your newspaper. Be sure the name of your library is in the photo (even a homemade banner gets your message across) in case the photo caption writer eliminates it.
Newsletters. Many libraries have publications they produce, such as annual reports, brochures, calendars, and newsletters for the staff and public. Don’t forget to use these valuable publications to help spread the word about your library.
News. Your local network news may be interested in covering an event at your library—but only if there is a visual element; for example, the delivery of twenty new computers with Internet access, or your mayor or governor reading to local children. If your library is celebrating its fiftieth anniversary, let your local media know. However, this alone may not be compelling enough. You will need something visual—a banner, an interview from a library user who was there fifty years ago. With an added attraction, you probably will get the attention you want.
Feature Spots. Watch your local news to find out about their daily or weekly features. Perhaps once a week, they feature a “neighbor” or a person who is “making a difference in the community.” Consider contacting the producer of that segment and ask them to feature one of your library’s staff, a dedicated volunteer, or an intriguing patron.
Features also can include the darker side of library news. Perhaps the paint is peeling away on a wall in the children’s reading room. A local anchor and his or her camera person may be interested in shooting footage and interviewing you about the problem. In most cases, you would not pitch this story to producers. They may come to you. Before cameras arrive, you need to figure out your message and what your spokesperson can say on camera to assure the community that the problem will be fixed.
Public Service Announcements (PSAs). Most TV stations have community calendars and/or public service announcements they offer to nonprofits free of charge. Unlike paid ads, these service announcements are not guaranteed to run. However, they are free ways to reach larger audiences when you don’t have an advertising budget. The Campaign for America’s Libaries has PSAs available online.
Cable news. Cable news stations are becoming less and less localized. However, your local channel may still have a venue that would be useful to you. Look at the program line-up—there might be a show such as “Meet the Leaders” or the like where the chair of your Board of Trustees could appear to deliver your message.
Video News Releases. You may want to issue a press release in the form of a video. However, this is far more costly than a print release and only appropriate if you have strong visuals.
Community Calendars. Both local network news and local cable channels often offer community calendars. This is sometimes a portion of their news segment, but they often have Web sites that list community events, too. Follow the directions they give when listing your community event on the calendar. Be sure to take note of deadlines, formats, and criteria.
News. Know and listen to all your local stations. Radio news is becoming less and less local, but it may still be possible for you to get coverage about a local news story. Keep in mind the newscaster will usually have to tell your story in ten to fifteenen seconds (around thirty to forty words) unless it’s a feature.
Radio News Release (RNR). You may want to issue a press release as a taped message. However, this is more costly and time-consuming than a print release.
Public Service Announcements (PSAs). Most radio stations offer public service announcements to nonprofits free of charge. The announcements are generally thirty seconds in length (about seventy-five words) but may be shorter. These service announcements are not guaranteed to run; and when they do run, it is generally not during peak listening time. However, they are free ways to reach larger audiences when you don’t have an advertising budget. Remember to submit PSAs to radios in ALL CAPS and double-spaced. If your library has a radio station as sponsor for an event or activity, they will definitely include your PSAs more frequently. The Campaign for America’s Libaries has PSAs available online.
Talk Radio. There are local, regional, and national radio shows. These programs usually discuss issues, not events. Perhaps your library was active in opposing CIPA or fighting budget cuts. You or one of your library’s representatives might ask to be a guest on a show to discuss this. Tailor your pitch to the particular venue. If the station’s audience is just in your area, be specific about the effects or potential effects in your area alone.
Community Calendars. Your radio station may announce community events. Find out by calling the station. If they do, find out how often they make the announcements (many stations only do it once a week), the deadline, and in what format they prefer to receive the information. They may also accept PSAs as outlined above.
Commentary. You can turn a print op-ed into a radio commentary by shortening it and then submitting into a station that accepts them, like your local NPR or Marketplace. Make sure to read it out loud to make sure it’s suitable for a listening audience.
Increasingly, the Internet is becoming a huge source for news and events listing. In fact, by early 2003, some studies were estimating that up to half of people in their twentys and thirtys used the Internet as their primary source of news. Clearly, the Internet isn’t a source you can afford to ignore. It is increasingly becoming standardized, though parts are still the Wild West. Here are a few of the most important avenues:
News. Most national and local news sites have their own Web site, and plenty of people turn to the Web sites when they miss the local news. So everything on ABC World News Tonight will also be on ABCNews.com, right? Wrong. And everything on CNN.com doesn’t make it onto CNN either. The same is probably true for your local station, as well. When working with your local newspaper, television, or radio station, ask about getting a story on their Web site as well. Many times, this will be something the producer or journalist can do himself or herself. In other cases, you may have to speak with a “web producer.” It can mean extra work, but it will also mean extra eyes.
Other Web sites are only on the Web. This can include national sites like Slate.com or Salon.com, as well as local sites like Gothamgazette.com, a local Web site focusing on local politics, in this case New York City. You must contact these sites individually, and generally their contact information is available on their Web site. In some cases, these sites are listed in Bacon’s or MediaMap. But keep in mind that others get their news on the Internet from blogs and electronic discussion lists and even through forwarded e-mails, which we’ll discuss a little later.
Chats. If you have teenage kids, you probably have an idea what chats or chatrooms are. These “virtual rooms” allow many users (limits can vary, anywhere from twenty to thousands) to log onto a Web site and “chat” in real time. Each person has a unique ID and can communicate in real time, which will show up on the screen for all of the other users in the room to see. Sound chaotic? It can be.
But chats are becoming more and more mainstream. In fact, a recent American Library Association president has even been involved in a chat! Most large chats are moderated, meaning that users can’t just post at will. Generally, there are one or two main guests in the room, generally celebrities, authors, or political candidates. Users can log into the chat and see everything that these guests post, but the users must submit the questions to a moderator. That moderator determines which get posted and which are disregarded.
Chats are increasingly becoming affordable ways of having a panel discussion or celebrity question-and-answer (Q&A) session. You don’t have to worry about having enough room, seats, or food. The guest doesn’t even have to be in the same state. Because chatrooms are virtually limitless, however, chats are not ideal ways of marketing.
Electronic Discussion Lists. Electronic discussion lists are voluntary networks where individuals sign up to receive e-mails and messages “posted” or submitted by other electronic discussion list members or owners. Electronic discussion lists can be a lot like chatrooms, but instead of them happening very quickly on a Web page, they’re slower and the messages arrive via e-mail. Some electronic discussion lists are moderated, so only the moderator or approved messages can be posted. Other electronic discussion lists are a free-for-all, with all members able to post messages at will. Electronic discussion lists are very common for clubs or member organizations. They’re also an easy way to reach a large group of people who share similar interests.
Viral Marketing. If you are automatically thinking of the word virus when you think of viral marketing, you’re on the right track. Has a friend ever forwarded you a newsletter or other e-mail from a third party that they “just had to send you?” Well then, you’ve been reached by viral marketing.
The smartest example of viral marketing success is the Blair Witch Project. This independent horror movie had a very small marketing budget; but the producers tapped into the Internet, encouraging viewers to e-mail their friends about the movie, who in turn, e-mailed their friends. The buzz about the movie grew exponentially, and the movie became a multimillion-dollar enterprise.
Viral marketing is much like word-of-mouth marketing, but it generally relies on the Internet. Because e-mails can be duplicated and forwarded to multiple recipients—without damaging the content of the data—viral marketing is cheap and only limited in the ability of the product to sell itself. And you usually don’t have to worry about misinformation being passed like a bad game of telephone the way you do with word-of-mouth advertising. Most grassroots organizations use viral marketing to some degree by posting messages on electronic discussion lists with the hope that members of those electronic discussion lists will pass the message on to their friends and other electronic discussion lists.
Blogs. Blog is short for web-log or an online journal. There are millions of blogs on the web - an exact number is the subject of great debate, though the vast majority of them are rarely read. However, their ability to give instant news updates is driving them to become mainstays of many news organizations, including the Washington Post. During the 2004 Presidential Election bloggers were an integral part of the election coverage for millions of voters seeking alternative voices. As the candidates traveled the country, blogs kept track of their every move. Even before that, during the beginning of the Iraq war, many journalists posted to their blogs in between their official reports, giving hourly, even up-to-the-minute updates of what was happening.
So which blogs should you pay attention to? Good question. Obviously, you can’t track the millions of blogs out in the blogosphere. And numbers of visitors to certain blogs aren’t easy to come by. But the Online Journalism Review (www.ojr.org) has tracked the blog phenomenon from the beginning and it occasionally ranks them.
How are you going to use blogs? Another good question. It’s not clear if bloggers are open to being pitched, the way you would pitch a journalist at a newspaper. It is also difficult to say if blogs have much influence on a local level. But blogs are becoming a thriving source of news, so you should at least keep them on your radar, even if you don’t know what to do with them yet.
The following are a lists of blogs that focus on libraries:
http://www.libdex.com/weblogs.html
LIBDEX is an extensive worldwide directory of library websites, web-based OPACs (Online Public Access Catalogue), friends of library pages and library e-commerce affiliate links.
http://www.blogwithoutalibrary.net/
BLOG WITHOUT A BLOG details specifically what libraries across the country are currently doing with blogs.
http://www.lisnews.com
LISNEWS is devoted to reporting on current events and news affecting the library and information science community.
http://www.library.gsu.edu/news/index.asp
A subject specific blog, the GEORGIA STATE UNIVERSITY LIBRARY blog connects you to sites on subjects ranging from SARS epidemic in Asia to the condition of the Russian economy to relations between men and women in U.S society.
http://www.theshiftedlibrarian.com
THE SHIFTED LIBRARIAN is a personal blog written by a librarian for librarians. Dedicated to helping librarians keep up with their technologically savvy users this blog allows them to deliver information to their users in their preferred medium and platform.
http://dmoz.org/Reference/Libraries/Library_and_Information_Science/Weblogs/
Constructed and maintained by a vast community of volunteer editors from around the world, THE OPEN DIRECTORY, provides a comprehensive directory of blogs written by and for librarians.
Wires are independent news organizations that provide dispatches to multiple papers or broadcast organizations. Common services include the Associated Press (AP), Reuters, Knight Ridder, and the United Press International (UPI). Your local paper may subscribe to a wire service. If so, you may want to contact a reporter from that news organization to let them know if you have succeeded in getting a wire placement so they can opt to run your story.
Many daily newspapers are owned by companies with wires (for example, Atlanta Journal Constitution/Cox), so that an article that will appear in the Atlanta Journal-Constitution can also appear in a dozen other papers nationwide. Wires should be a focus of your outreach. A single article can go a long way, affecting not only your library, but libraries across the country.
Wire Services should not be confused with wires (such as the Associated Press). Wire services are pay services that allow you to post your press releases, and the services then mass distributes the press release to hundreds of journalists. It’s a good way to get out national news to hundreds of outlets at a time—but it’s less effective for local news.
Wire Services include PRNewswire, USNEwswire, and HispanicNewswire.
Lists are the backbone of your media work. Whether you’re mailing a news release or calling a reporter with a fast-breaking story, you’ll need an up-to-date media list.
Most libraries are computerized. Common databases such as Microsoft Access or Filemaker are good for lists. Make sure that the program can print out both labels and call lists with the information you desire. Always print labels well in advance of a mailing to ensure it goes smoothly. Consider having two computer consultants (or staff) familiar with your database for a crisis—a great role for a board member or other volunteer.
To start, consider consulting any of the following media guides:
Bacon’s Directories (Newspaper, Magazine, Television/Cable, Radio, Internet, News Services and Syndicates)—Published annually. This is a great resource for outlets across the United States and Canada and contains local and national information about shows and publications. Bacon’s also is available online via Bacon’s MediaSource (subscription based) and Bacon’s MediaLists (a pay-as-you-go-service). Contact: Bacon’s Information Inc., 332 S. Michigan Ave., Chicago, IL 60604, (800) 972-9252, www.bacons.com
Bacon’s New York Publicity Outlets/Bacon’s Metro California Media—Published annually. A comprehensive directory of newspapers, dailies, magazines, networks, stations, journalists, and editorial staffs for each of these key national markets. Contact: See information for Bacon’s Information Inc. above.
FINDERBINDER News Media Directories —Published annually. A detailed information and rate directory covering media services in selected metropolitan and state areas. Contact: Finderbinder News Media Directories National Support Center, 8546 Chevy Chase Dr., La Mesa, CA 91941, (800) 255-2575, www.finderbinder.com
Gebbie Press: The All-in-One-Directory—Published annually. Directory listing all United States newspapers, TV, radio, magazines, Black and Hispanic media, syndicates, and networks in print, disk, or CD-ROM. Contact: Gebbie Press, PO Box 1000, New Paltz, NY 12561, (845) 255-7560, www.gebbieinc.com
Leadership Directories: News Media Yellow Book —Updated quarterly. A quick guide to Who’s Who among reporters, writers, editors, and producers in the leading national news media. It contains an extensive listing of journalists by title and assignment. It is also available online and on CD-ROM. Contact: Leadership Directories Inc., 104 Fifth Ave., New York, NY 10011, (212) 627-4140, www.leadershipdirectories.com
MM Performa (Newspaper, Magazine, Television/Cable, Radio, Internet, News Services and Syndicates) —Formerly called MediaMap, this online database is now part of Bacon’s and provides information and profiles on journalists, editors, producers, and analysts at media outlets throughout the United States and Canada. Profiles include contact information and contact preferences. Contact: MM Performa, 311 Arsenal Str.t, Watertown, MA 02472, (617) 393-3200, www.mmperforma.com
Consider banding together with other libraries to purchase media guides. Subject to copyright restrictions, offer other libraries this resource.
Now that you have the guides, remember this: journalists change jobs often. Rely on these guides for addresses and phone numbers only, as names become outdated quickly.
Update your list of names before you fax, conduct a mailing, or begin to make phone calls. This will ensure that as TV shows and entire publications come and go you will have the correct information.
Volunteers, Friends, or support staff should update your media list every three to four months. This takes a simple phone call to the print or broadcast outlet. Do it well in advance of a planned distribution, when you’re much less likely to get the e-mail address, zip code, or name wrong.
Be sure your lists include the correct job title and the spelling of a journalist’s name. Sending a news release to CITY EDITOR is like sending a piece of personal mail to OCCUPANT. It is likely to end up in the trash.
Most publicists organize their lists by print, radio, TV, and the Internet; then alphabetically, by outlet, broadcast show, or print section; and then by journalist. In addition to the regular contact information—address, phone, fax number, e-mail address, beat, and deadline—you may want to include comments about your last interaction with the journalist or recent stories they wrote (for example, “Wrote about our summer reading program.”).
Make sure you have the correct names of daytime, evening, and weekend staff at both print and broadcast outlets if they differ—and off-hours phone numbers, if you can get them.
Keep a short media “Key Contacts” list right by your phone with the names, phone numbers, addresses, and fax numbers of the key reporters, news directors of your local TV and radio stations, sympathetic columnists, and others you’d want to contact for a breaking story.
Following are several types of events/campaigns that can be planned for visibility purposes:
Guest Speaker or Seminar: If your library is hosting a guest speaker or an evening event and your mission is to get the word out, determine what media you will use, that medium’s deadlines, and fashion your timeline accordingly (see below for specific media types).
A Ballot Initiative or Referendum: Perhaps a referendum concerning your library is on the ballot. If so, plan as far ahead as possible. While you might not take action immediately, planning ahead will give you the option. Create a flexible timeline that includes specific goals along the way. When do you want letters to the editor to appear in your local paper? Should you or one of your representatives talk to the editorial board of your paper? If so, when?
Closer to Election Day, your timeline might be choreographed quite tightly. For example, the night before the election a predetermined number of supporters receive phone calls reminding them to vote the next day. Then, on Election Day, be sure to call your supporters to ask them to vote—turning out your voters will be key to success. Someone from your library will need to spearhead this effort by organizing a phone tree or a schedule of volunteer callers and lists of callees.
Be sure to note who at your library is responsible for taking each step along the way and for monitoring progress. Provide your staff or volunteers with tools to meet their goals, such as telephones and a list of supporters with directions on how to keep track of responses. Have a substitute in place in case someone becomes unavailable.
First, ask yourself if the topic is worth a news conference or is a press release sufficient?
If you decide to go ahead, here are some tips:
When you don’t have breaking news, but you have new and exciting information for the media to know about, you may consider holding a media briefing or a media breakfast. This would include a few researchers, volunteers, and/or spokespeople and five to fifteen media people who are very interested in your issue.
The only caveat with such a planned event is that media schedules are very fickle and outlets are suffering from limited resources—so only consider this type of event if you know a critical mass of your media contacts would be interested. For every two journalists who say they’ll attend, expect one to cancel for other, last-minute priorities.
As outlined in the Library Advocates Handbook (page 10), editorial board meetings are another option for media outreach. Editorial board meetings are ideal for situations where you either believe the newspaper could editorialize on an issue you’re facing (like budget cuts) or when you believe the board will write in your favor. If you’re facing a local newspaper that has been historically against your causes, this may not be the best tactic.
Media tours are a series of meeting with media professionals from generally geographically diverse areas. They are mostly used by national organizations that want to reach the local public, and will strategically choose cities to meet with individual reporters. The goal is usually to generate many articles with local angles.
Nothing beats face-to-face contact. It’s easier to convey any message in person than it is over the phone, or by just e-mail. But these meetings are often the hardest to get. As media professionals jobs become even more demanding, they have less time to spend in face-to-face interviews. However, when working with journalists, especially journalists who you expect will cover multiple stories about you or your library, in-person meetings are invaluable. Try to set them three to four weeks in advance, then confirm the day before.
Calling the media on the phone is one of the most important aspects of media outreach, but many times is the first thing that drops off your list when you’re busy. Think about carving out a set amount of time each day all year round to contact and develop relationships with media who will be able to deliver for when you’re needing to get some visibility for your programs and services.
Create and practice the pitch. In order to ensure as much success as possible for your media event, you are encouraged to create a phone pitch to keep in front of you while talking to media on the phone. Think about the event you are trying to get coverage for and create a short description of the most important points you want to convey to a journalist or reporter on the other line. If you are nervous or haven’t done much pitching before, take some time out and practice your phone pitch with a co-worker or friend. The more you say it out loud, the more comfortable you will feel when it is time to speak with the media.
Consider different angles. Make sure you have different angles to offer the journalist or reporter you are pitching your event to. To be safe, practice two or three different ideas that you can pitch over the phone.
Pitch the right person. Most importantly, you want to make sure that you are talking to the appropriate person. If you want a photographer to attend your event, make sure you are calling someone from the photo desk, not the technology desk. If you get in touch with someone who doesn’t cover that beat any longer, ask if they know of anyone else in the department that you could speak with about your event.
Always start off the conversation by asking if this is a good time to talk. Proceed with your pitch. Have a media advisory ready to go. Often the person you are speaking with will ask you to e-mail or fax the information to them. It’s ok if you don’t have all the answers to the questions the person on the other line may ask you. Make sure to write down the questions they ask and get a phone number and a good time for you to convey the right information, or get an e-mail address.
Keep a phone log of all your calls. Mark down what day you called and whether or not you left a message or sent information over. This will come in handy when you are making your second or third round of calls.
Photo ops provide you with an opportunity to get attention for your activities when there isn’t a big news story involved. Photo ops work best when they’re appealing for a quirky or sentimental reason. Photo ops of kids are often effective. Also, consider the unusual. A local school had a contest to raise money, and if the students were able to raise a certain amount, the principal promised he would kiss a pig. Of course they did raise enough money, and the photo of the principal and the pig made all the papers.
When planning a photo-op, make sure that you include a VISUALS section in your media advisory to describe exactly what will be available for media to cover. Include directions to the site and phone numbers that will be staffed.
Make sure your media list contains appropriate photo people to contact who can cover your event or arrange for coverage.
Start your calls a few days before the day of the event. Most people will want the information sent to them the day before. You might have to make calls the morning of the event as well to confirm that the photographer knows exactly where he or she needs to go.
Plan your photo-op with photos in mind. Have a library sign very visibly displayed. The Campaign for America’s Libraries has super-sized library card available on its Web site. Clean up the clutter around the photo area unless it’s part of the concept. Ask participants to dress colorfully in case of color photos.
Did you know that paid advertising may be a very inexpensive way to get the word out about a specific program—especially to ensure that your message gets out? If you haven’t yet explored it, spend some time calling to get not-for-profit ad rates and build it into your budget when appropriate for a limited amount of time.
Did you ever consider bringing on media sponsors for events and activities? If not, call and establish a relationship with radio and television stations and perhaps they will sponsor an event. If they do, other stations may not cover the event, but you may just get the visibility and support you need. If you do find dedicated sponsors, their commitment may grow and they will become more involved over time. They may offer to have their news anchors or station celebrities host or emcee events, and you may get great coverage on at least the sponsoring station, rather than a media bust.
An important step in getting your message to the media is the ability to communicate it succinctly and effectively. A well-written media advisory and news release can inform and also generate interest and excitement in your event, campaign, or happening.
A media advisory alerts the media, in a concise manner, to upcoming events and developments pertinent to your library and community. Think of it like an invitation and answer only the important questions: Who, What, When, Where, and Why.
Key elements of a media advisory
The format of a media advisory
Sample Advisory
Media Advisory
For Immediate Release
September 22, 2009
WHO: American Association of School Librarians, a division of the American Library Association. More than 3,000 school librarians, educators, publishers and guests.
WHAT: 14th National Conference: “Rev Up Learning @ your library”
WHEN: Nov. 5-8, 2009
WHERE:
501 South College Street
WHY: Since 1965, more than 60 education and library studies have shown that school library media programs staffed by qualified library media specialists have a positive impact on student academic achievement. Statewide studies in 19 different states show that a strong library media program helps students learn more and score higher on standardized achievement tests than their peers in library-impoverished schools.
BACKGROUND:
More than 3,000 school librarians and guests will discuss issues ranging from information literacy to technology to demonstrating the value of school library media centers. Preconference programs on Nov. 4 and 5 will focus on advocacy, new technologies, gaming, intellectual freedom, storytelling and environmental responsibility. More than 200 exhibitors will showcase the best new products and services.
Best-selling author James Patterson (Maximum Ride, Women’s Murder Club, Alex Cross series’) will also keynote a special session on Nov. 6, in which he will discuss the critical importance of getting America’s youth, especially boys, interested in reading.
Award-winning presenters scheduled to speak and read include author Laurie Halse-Anderson (“speak”), social media expert and researcher danah boyd, author Linda Sue Park (“A Single Shared”), author Richard Peck (The Last Safe Place on Earth), author Charles R. Smith Jr. (“RIMSHOTS”) and teacher, filmmaker and author Marco Torres.
Advance press registration is now open. To register, please contact Jennifer Petersen or Macey Morales at 312-280-5043 / 4393 or jpetersen@ala.org / mmorales@ala.org
A news release has a different purpose from a media advisory. It should read like an article, with quotes and facts, to stimulate possible pick-up by small papers and to generate print and broadcast reports at larger outlets. Whereas a media advisory offers basic information, a news release creates an image and story that journalists can use alone or use as background when writing a story.
Key Elements of a News Release
The Format of a News Release
Sample News Release
NEWS
For Immediate Release
October 3, 2009
Teen Read Week™ 2009 brings YA literature out of this world
Read Beyond Reality @ your library, October 18-24
The 2009 Teen Read Week theme is “Read Beyond Reality @ your library®,” which promotes a variety of books from sci-fi, fantasy or alternate reality, to encourage teens to read something out of this world, just for the fun of it.
As families navigate the worst economic crisis in decades, libraries provide a safe, free community center where teens can spend their free time and find fun, engaging materials to read for pleasure.
Research shows that teens who read for fun — and not just for school activities — score significantly higher on reading tests, while those who don’t lose critical reading skills important for academic and workplace success. With so many options for entertainment, not to mention the increased amount of schoolwork in the teen years, busy and distracted teens often overlook reading for pleasure.
Whether it is a book, magazine, audiobook or graphic novel, young adult literature has become a rare bright spot in the world of publishing. As overall book sales stagnate, teen literature sales for both hardcover and paperbacks outpace sales for adult books. Teen literature is considered successful enough that Borders began dedicating space just for teen books in all of its stores in 2009.
According to the Association of American Publishers, sales for children and young adult hardcovers soared in May 2009, with a rise of 41 percent for the month and 36 percent for the year-to-date. Paperbacks likewise sold well, with a 2 percent increase over the previous year. By contrast, adult hardcovers are down nearly 25 percent in the year 2009.
During Teen Read Week, YALSA will announce the Teens’ Top Ten, a “teen choice” list in which teens nominate and choose their favorite books of the previous year. The winners will also be announced during a Webcast featuring World Wrestling Entertainment Superstars and Divas. This year, teens cast more than 11,000 online votes for their favorite books.
Teen Read Week 2009 Promotional Partners include ALA Graphics, Evanced Solutions, Farrar, Straus & Giroux, Galaxy Press, Henry Holt, Listening Library/Random House, Little, Brown Books for Young Readers and Walden Media. Nonprofit Supporters include Adlit.org, American Association of School Administrators, American Booksellers Association, Cable in the Classroom, Kidsnet, National Association of Secondary School Principals, National Council of Teachers of English, readergirlz, SmartGirl.org, National Education Association, National School Boards Association, Speak Up Press, International Reading Association, TeenInk and The N/Noggin.
Since its inception in 1998, Teen Read Week (www.ala.org/teenread), sponsored by the Young Adult Library Services Association (YALSA), a division of the American Library Association (ALA) has encouraged teens to visit their public and school libraries, select their own reading material and read for the fun of it.
For more information on Teen Read Week, please visit www.ala.org/teenread, or contact Macey Morales, ALA Media Relations Manager, 312-280-4393, mmorales@ala.org, or Jennifer Petersen, ALA PR Coordinator, 312-280-4393, jpetersen@ala.org.
About YALSA
For more than 50 years, YALSA has been the world leader in selecting books, videos and audiobooks for teens. For more information about YALSA or for lists of recommended reading, viewing and listening, go to www.ala.org/yalsa/booklists.
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Don’t Send this News Release
Following is a sample of a release that should not be sent:
9/8/99
For more information call: Jo Brown, Director 212/555-4567
Mary Smith, Publicist 212/555-1234
Press release
The Bobstown Library System (BLS), one of the most important state-wide membership organizations—were happy to say that they are looking forward to the upcoming 2004 election—when Bobstown residents voters will be able to cast their votes for their state’s schools and libraries.
At this point in time, the BLS thinks that most people would be in favor of having libraries stocked with books at all times—and even with computers for special projects.
They also feel that people would strongly support the new Library Technology Referendum in the voting booth, a local program that will help to hook up a majority of libraries and schools for not too much.
As a matter of fact, Bobstown was able to make many computer upgrades for just $50,000 last year. This was across the entire system. Some of the money was used for Internet access, new software and network cabling. They hope to make even more improvements if the referendum passes.
It all depends on voters. If they are supportive of such programs as this one for libraries, which according to a recent poll 89% do support, then maybe libraries will be able to survive this turbulent economic time.
A Guide to Your Release By-Numbers
The following is a well-formatted release with a guide to the key elements.
News Release
1 2
For release Contact: Lib Rarian, 212/555-4567
Wednesday, September 25, 2003
3
NEW POLL SHOWS WIDESPREAD SUPPORT FOR LIBRARIES
The Public Shows How Library Resources Are Valuable Tools For Everyone
4
Anytown, USA—A new poll of likely voters showed more than 90% of voters support increased funding for local libraries.
The poll, released today by the Anytown Library Association , showed that registered voters who are likely to vote in the upcoming election support additional funding to enable libraries to get and stay on line.
5
“Our libraries offer the best mix of global reach and local touch,” says Ana Bowan, Executive Director of the Anytown Library Association (ALA), the state’s third largest library group. “This poll shows Anytowners want their libraries wired.”
The bipartisan poll, conducted by Some Big Firm, Inc., is the first statewide survey of support for the libraries in the last five years.
At $1,000 per year, Anytown has the smallest budget in the state for new technology. The upcoming referendum on library funding will increase spending to $100,000 for the next three years, allowing libraries to increase and update their technology and get library-based web training programs.
6 —more –
7 Library Poll, page 2
8
According to an earlier survey Anytown Library conducted last spring, “Parents hate that their kids know the Net better than they do,” says Mary Smith, Anytown’s head librarian.
“Librarians can untangle the Net for families,” she adds. “We train kids and their parents to browse the Net together, so Mom and Dad lose their fear of cyberspace and can exercise proper parental guidance.”
To arrange to interview ALA spokespeople and for a copy of Anytown’s poll, please contact Lib Rarian at 212/555-4567.
10 # # #
11
The Anytown Library Association (ALA) is a member organization of more than 200 librarians across the state from public libraries, academic institutions, schools and special libraries. Supporters such as trustees, friends of the library members, vendors and users are also part of ALA.
A Guide To Your Release-By-Numbers
Indicate up top when news organizations are free to use the material in this release.
Indicate one contact name with title and a phone number with an answering machine that takes messages or a cell phone.
Keep headline to one line or eight words and use descriptive, active verbs. Use subhead. Be sure your organization’s name appears at least once.
Your first paragraph should be attention-getting.
Use a short, lively quote by your third paragraph.
“—more—” is a convention that lets journalists know the release is continued on the next page.
Put an identifying header on top of the second page in case it becomes separated from page one.
Refer to some news you once made that never got covered, but might make it into this story.
If you have additional backup materials you could make available to interested journalists, let them know—and let them know where to call, especially if it’s a different number than your page one contact number or the online link.
“ # # # ” indicates the end of the release.
Pitch letters are short introductions to a story that you would like a journalist to cover. They’re teasers. You should use them to pique a journalists’ interest. Pitch letters should explain why you want them to cover this story, why they need to read this press release, or why they really need to interview you about this topic.
Unlike press releases or media advisories, there are no hard-and-fast rules for pitch letters. Many are rather formal letters, others are as tongue-in-cheek lists, such as “Top 10 Reasons You Should...” Pitch letters must be short—absolutely no more than a page—and it’s best to keep in mind that their intent is not to give the full picture, but an interesting glimpse.
Sample Pitch Letter
Sample Pitch Letter
Dear JOURNALIST,
Americans are visiting their local public libraries more often and checking out items with greater frequency. Libraries across the
With the nation facing tough economic times libraries offer us all a remarkable wealth of resources. Beyond free access to the books, periodicals and the movies we enjoy, patrons are turning to their libraries for free Internet and e-mail access, personal finance tools, information for job searches and small business opportunities and, of course, the priceless knowledge and experience of librarians.
Many libraries also design and offer programs tailored to meet local community economic needs, providing residents with guidance (including sessions with career advisers), career training and workshops, job-search resources and connections with outside agencies that offer training and job placement.
As National Library Week, April 12 - 18, approaches we can offer lively national and local experts to discuss:
Please contact me at 312-280-5043, or jpetersen@ala.org if you would like to schedule an interview with a local or national library spokesperson.
Best,
Jennifer
Sample Op-Ed
Sample Op-Ed
Surge in library usage highlights value of nation’s libraries
By Mary Dempsey,
A century ago legendary urban planner Daniel Burnham, in the “Plan of Chicago,” recognized the public library as a vital civic institution. The plan called for a central library building in the heart of the city, alongside such cultural beacons as the Art Institute of Chicago and the
One hundred years later—as more than 20,000 librarians and library supporters arrive in
Americans are experiencing the most challenging economy in decades, and the value of free library resources has increased exponentially. Library loans at the Chicago Public Library increased 26 percent in 2008 and have already experienced a 40-percent increase in the first half of 2009. People visit the library to research new careers, scan online job listings, create resumes, set up e-mail accounts to apply for jobs and seek financial advice.
And at a time when Americans are relying less on their credit cards, library-card use is climbing. More Americans hold library cards today than at any time in history. The Chicago Public Library hosted more than 12 million visitors in 2008 and is on target to exceed that number this year. Americans recognize the value of their library cards—a key that unlocks the door to knowledge, learning and even entertainment, a balm for the spirit in hard times.
According to the
Library users include Richard, who lost his job after an injury at work and was eager to learn about computers while depending on his disability checks. He has been working with the Chicago Public Library’s CyberNavigators, people hired by the Library with funds from its foundation to assist people in using the Internet.
A CyberNavigator also helped a job seeker who had been unemployed for three years after retiring from his 35-year job with the U.S. Postal Service. They assisted him in updating his resume, setting up an e-mail account, posting his resume online and e-mailing potential employers.
Every library in the
But even as thousands of people rediscover the value of their local library and library use continues to soar, libraries face the same economic challenges as the rest of the country. From coast to coast, shrinking budgets have forced libraries to eliminate proven library programs and cut staff. While
As
Mary Dempsey is the Commissioner of the Chicago Public Library, which operates 79 locations throughout the city of
For more information on the State of
Sample Letter to the Editor
Note: Letters to the editor can usually be submitted by email, just check with the paper. If mailed or faxed, submit, double spaced, on your stationery. In all cases submit with a phone number to reach you at so they can call to get any edits approved, They should not exceed 250 words, but some only take as few as 100 words. Read some to see what your paper runs.
Dear (name):
These days, we all know latchkey kids, small businesses seeking niche markets and seniors with more time than money.
Right here in (name of community) there’s common ground for them all.
It’s a place where you can log on to get stock quotes, find a salt free diet, learn CPR, notarize a lease or take out the latest mystery.
It’s @ your library. There’s just one catch. Just as the information revolution is transforming America, they tell us in (name of community) that we need to wait in line for funding, behind firefighters, nurses, even road crews. Some say we should get no state funds at all because we give the public access to some ideas with which they disagree.
Libraries provide a vital service. We change lives. We help surgeons save lives with data piped right into operating rooms. Our patrons do legal research to cut down on phone time with their attorneys. Parents can squelch family feuds by finding the book value of the used car their grown child wants to buy.
To serve the people of (name of community), stock our shelves, get new software and staff our reading rooms, the silence must end. When school starts this fall, your library needs every card carrying member to urge our state legislators to support your right to know.
Sincerely,
Your name/position/name of your library
Sample Public Service Announcement
Submit public service announcements (PSA) double spaced. Most PSAs are fifteen or thirty seconds, roughly between forty and seventy-five words. Each digit in a phone number, which for broadcasts is best repeated twice, counts as a word.
Since FCC rules have changed, stations are no longer required to run a certain number of PSAs to keep their licenses, nor must they keep logs. They frequently run PSAs at odd hours. Deadlines are often two weeks ahead of the airdates. Following is a sample PSA. You can also link to others at www.ala.org/ala/pio/campaign/prtools/campaignPSAs.htm.
(30 seconds)
WHERE’S THE BEST SOUL FOOD IN TOWN? FIND A SCHOLARSHIP TO CAMP OR COLLEGE. START A BUSINESS. LEARN TO NAVIGATE THE NET TO KEEP UP WITH YOUR KIDS. OR CHECK OUT A NEW MYSTERY.
IT’S ALL FREE. @ YOUR LIBRARY. THE SMART CHOICE FOR THE INFORMATION AGE.
A PUBLIC SERVICE MESSAGE FROM THIS STATION, THE [STATE] LIBRARY ASSOCIATION AND [NAME OF YOUR LIBRARY].
Online Pressrooms
As technology has changed the world, so has it changed the media. The public expects their news not in the morning paper, but instantly, online. News organizations have put the pressure on journalists to deliver just that. And now journalists want your press releases, fact sheets, bios, backgrounders, and other information at the tip of their fingers at any time of day.
One of the biggest complaints we hear from journalists these days is that a library doesn’t have an online pressroom with up-to-date information. Try not to be caught without one.
This should be very accessible to media—preferably a click on your home page.
If you don’t already have one, here are some hints:
People often panic when reporters call. There’s no reason for most people to fear a journalist’s questions. In fact, it’s often a great opportunity—if you practice and know how to take advantage of it.
Who Are Your Spokespeople? Director, Children’s Librarian, Volunteer?
When media opportunities or interviews arise, or when planning media outreach, you need to consider who your best spokespeople will be. Generally, your director is the key spokesperson. However, depending on the size of your library and the amount of media attention you receive, you may need to identify additional individuals to speak on your behalf. This could include program or other appropriate staff, members of your board, volunteers, or members of the community who can sing your praises.
Spokespeople need to have media training, follow tips for talking to reporters, and be well prepared in advance of any interviews. If you go to people outside of your staff, it is always a good idea to be in close touch with them about their contribution well before you need them. Look into professional or pro bono media trainers—to practice soundbites on or off camera—who can help you professionalize and personalize your messaging.
It’s also a good idea to work with your spokespeople every year or two to update and freshen up their messages and talking points. Again this can be done by qualified staff or outside consultants.
How You Can Help Train Spokespeople
The following section appears in the ALA’s Library Advocates Handbook. Thanks to Patricia Glass-Schuman, former ALA president.
The goal of media coaching is simple: to help people channel their passion, personality, and commitment to an issue, whether they’re appearing on TV, speaking to a group of legislators, or talking to a reporter over lunch. The most effective and engaging spokespeople are those who are prepared, focused, genuinely enthusiastic, and comfortable with themselves.
Key Points
Do a dry run. On the way home from work, at staff meetings, or at someone else’s desk at lunchtime, rehearse your remarks before interviews. Your colleagues are even more likely than reporters to know the tough questions that might be thrown at you. That will give you the chance to prepare a reply, try it out, time it (for live broadcasts especially), and revise. Tape yourself on audio or video. Play it back, so you can hear yourself as others do. Then refine your presentation.
Identify your communications problems for each type of outlet (TV, radio, print), and use the training to work on one specific type of outlet. Most problems are nonverbal. They may include: adopting a wooden body posture; presenting material too technically; averting, darting, or poorly using eyes; ineffective use of hands; lack of facial expression or one that communicates fear, hostility, arrogance, or defensiveness; low energy; humorlessness; and use of boring language. Have your trainer help to identify them and then work on ways to improve.
Improve personal style : Everyone has a personal style. What is yours? How is your physical appearance? Your rate of speech, pitch, and tone of voice? Your level of animation, use of gestures, eye contact, comfort level? Bring your full personality and most expressive physical self to every interview in person or by telephone.
Dealing with difficult interviews : Hostile interviewers or interview questions often throw the most experienced public speakers off guard. It’s important to redirect a question if you need to, but be sure to respond in a way that is positive, contributes to the dialogue, and doesn’t make you look evasive or defensive. If a reporter uses negative, incorrect, or inflammatory words in a question, don’t legitimize them by repeating the misconception in your answer. The hotter the interviewer gets, the cooler you need to be. Stay friendly, calm, and direct in a response to a nasty questioner or loaded question.
How to Direct an Interview
Staying in control of an interview can help you get your message out—and save you from future headaches. Skilled spokespeople can take any question thrown at them, answer it, and bring it back to their original message—all within a few sentences. Below are some tips for directing interviews.
Ask questions before accepting to do an interview. Be sure you know the angle the journalist is coming from and who else is being interviewed.
Take time to prepare. Even the most skilled media spokespeople will take a few minutes to prepare. If the reporter is on deadline, ask to call him or her back in five minutes. That should be enough time to give you a chance to focus on your key messages.
Never answer questions you don’t understand. If they ask you a question that’s vague or needs clarification, ask. Interviews aren’t one-way streets.
Be sure you understand the question. Don’t ever answer a question you don’t thoroughly understand. Even if you’re live, on air, ask a reporter to repeat the question or rephrase it. Restate it yourself, buying time to compose an answer, but be especially sure you understand just what you’re being asked. You may even clear up the reporter’s confusion or misstatement.
Think before you answer. You can always buy yourself time by saying, “That’s a good question.” You can also pause before you begin your answer to get your thoughts in order.
Avoid one-word answers. “Yes” and “No” won’t help you get your point across. Take the opportunity to expand, or bring the conversation back to your main message.
Flag important statements. By saying “The most important thing here is...” or “The real issue here is...” you not only get the reporter’s attention, you get the audience’s attention too. These are also good transitional phrases when you want to redirect the interviewers question to your key message.
Don’t repeat the reporter’s bad phrasing. For example, if a reporter says, “but isn’t it true that libraries are no longer necessary because of the Internet,” don’t respond using that bad opinion by saying, “no, it isn’t true that libraries are no longer necessary.” Instead, turn it around to something positive: “Librarians are your ultimate search engine” and so forth.
Beware of leading questions. Some reporters try to influence interviews by saying “Would you say” or “isn’t it true.” Avoid following into the trap of agreeing with them. If you don’t agree, or if it’s not true, but sure to say, “No. Actually, the truth is...”
Stay “on message.” If an interview starts on the wrong topic, be sure to bring it back to what you’re really there to discuss. You can do that by “bridging,” such as, “well, that’s an interesting question, but what we really need to address is...”
Hook your interviewer. By saying “There are three important point here...” the interviewer (and the audience) is automatically waiting for those three points. It grabs the interviewer’s attention, and they can’t cut you off before you finish the three points without annoying their audience.
Bridging : This is a technique that lets you “build a bridge” from a reporter’s agenda to your own. For example: “That’s an important question, Fred, but what’s critical for people to know about library literacy is...” These and several other techniques can help you keep control of the interview, make sure you get your points across, and speak directly to the television audience. Your conversation must always be geared to the viewer—not the reporter.
How to Succeed on Radio
Hints:
Listen to the show to learn how it works. Before you call to get on a radio talk show, listen to it so you know the format, the length of segments, and host’s style.
Call at least two weeks ahead to book a guest. Prepare a brief bio on your spokesperson, a background on your library or program, and a one-page letter on what you have to say. Once you arrange an interview, send a written confirmation to the producer and the guest with a phone number for each to reach the other. Also make sure the guest and producer know who is to call who if the interview will take place by telephone.
Avoid off-the-wall hosts. With plenty of shows to choose from in most markets, there’s no need to get insulted on the air. Pick a show that will give you a chance to deliver your message.
Talk slowly. Vary your voice quality. Sound like you’re dying to share some juicy gossip. Don’t use too many numbers. Avoid jargon.
Paint verbal pictures. Since body language can’t connect you to your audience, try to paint pictures with words.
Practice in private. Either with a friend co-worker or on tape, practice answering questions and handling hostile callers.
Remember to mention your library name at least twice. Since people tune in and out; just because you were introduced with an ID doesn’t mean most listeners heard it. Bring a cassette and ask the engineer to pop it in so you an leave with a recording.
Learn to answer odd questions with the points you want to make. It’s ok once a show to say something like “That’s an interesting question, Fred, but what I really hope you’ll understand about libraries is....”
Organize a campaign if you’re having trouble getting on the air of a talk radio show. Write and call. Try to arrange to visit the producer or station manager. Send a demo audio cassette. If all else fails, call in while the show is on the air!
Organize some callers if you get on the air for a show with call-ins. See that some friends of your library call, ask good questions, and show support.
How to Succeed on TV
The following section was originally developed by Patricia Glass-Schuman (former ALA president) in ALA’s Library Advocates Handbook.
Hints:
Develop three key points in advance : Television is a medium that requires you to be informal, relaxed, and conversational—but to get your message across forcefully in a very brief time. For most interviews, it’s important to develop three key points and make those points quickly and effectively. Find the descriptive words, visual images, and concrete examples that best make those points.
Paint pictures with your words. Especially for TV, but in all interviews, colorful phrases that call up visual images make interesting quotes. Keep a notebook of such images by your phone, along with key facts and good sound bites.
Inside Look: What a Journalist’s Life Is Like
Sometimes the best way of understanding how to work with someone is to know how his or her work life is like. This is most true with working with journalists, whose curtness is often misunderstood.
A journalist’s life can be summed up in three words: deadlines, deadlines, deadlines.
Daily newspaper journalists generally get to work by 9 a.m. and read not only their newspapers but the five to ten other newspapers and Web sites that they prefer to get their news from. From 10 a.m. until 1 p.m. or so, they make their calls, work on their schedule, arrange interviews, and pitch story ideas to their editors. By 2 p.m. , they’re on deadline. Deadlines are generally at 5 or 6 p.m. , but the faster they get their story to their editor, the happier their editor is. By 4 p.m. , their editor wants to know how much longer it’s going to take for them to finish.
What should you take from this? The best time to call a daily newspaper journalist is generally from 10 a.m. to 1 p.m. While your schedule may be best suited for making calls around 4:30 or 5 p.m. , when things start settling down for you, you’re not likely to have a successful call with a journalist at that hour.
Weekly journalists work much the same, but their deadline is generally on a Wednesday, Thursday, or Friday. Find out which day the weekly journalists have to file by and try not to call them on that day or the day before.
TV and radio producers work a lot like daily newspaper journalists, but their schedules vary depending on when the program occurs. Morning shows generally have producers running as soon as they get to work, generally as early at 5:30 a.m. You’d be surprised how much of a live show doesn’t come together until seconds before it is aired. Who knows what is going to happen overnight before a morning show, or what might happen at the 5 p.m. rush hour drive right before the evening news?. Your best bet: try to avoid calling a producer the two hours before a show is scheduled to start (one-hour for a radio program) and for the hour afterwards. If a morning show ends at 9 a.m. , producers are generally open to talking after 10 a.m. If an evening show doesn’t start until 5 p.m., you will probably be able to reach your producer in the late morning.
But just like all staff in your library don’t keep the same schedule, neither do journalists. These aren’t hard-and-fast rules, but they are situations you’re more likely to encounter.
Tips for Getting Your Name in a Reporter’s Rolodex
Be accessible. We all have meetings and other commitments. If you want to become a regular source for journalists, you MUST be accessible. Train the person who answers your phone to keep a separate log of reporters who call—with names, news outlets, direct phone, fax numbers, e-mail addresses, and deadlines. If you are in a meeting, that should be communicated along with “but I know she’d be eager to talk with you. Can I interrupt her—or can she call back by 3 p.m.? When do you need to hear from her? Can you tell me what you need to know so I can find someone else to help you right now?” Try to rearrange things if you can to avoid saying no the first several times radio or TV producers call to get onto their rolodexes.
Be succinct. Don’t ramble. Even print reporters have space constraints. And they can easily take your rambling comments out of context. If words don’t roll off your tongue, keep a sheet of one-liners near your phone. Practice short answers to common questions with a friend—with a stopwatch. Know two or three short, compelling stories that make your case. Then cook them down and practice telling them.
Remember, you need not take a call when it comes. Often, reporters are on tight deadlines. But sometimes, you have plenty of time to prepare and call back. First, have whoever answers your phone find out who’s calling, from which news organization, and if they’re on deadline. If you feel it will help your presentation, ask if you can return the call at a specified time. Then, jot down a few notes based on a few talking points developed in advance and practice. Then, call the journalist back. If you’re really convinced you’re the wrong source, suggest an alternate.
Don’t use jargon. Even with the reporter who knows your issues, steer clear of tech talk. It’s stiff, turns off the uninformed, and is less likely to be quoted. Likewise, always spell out acronyms, and don’t assume the friendly reporter you talked to a month ago remembers the buzzwords. Consider starting from square one unless you know and have spoken to the reporter previously. It’s a good habit in any case, and usually generates more lively copy.
Preview one or two upcoming events or issues. Take advantage of any interaction with a journalist and mention a story idea, an upcoming event, or a burning issue. Don’t be shy. You may just stimulate the story of your dreams.
Drop a thank-you note. Most reporters hear about their errors. Few get thanked for their accuracy and insight. Journalists have long memories. Especially when you’re competing for scarce space, it helps to drop a note to a reporter who you feel “Gets it”—and his or her boss. You may be pleasantly surprised next time you call with a story idea.
Giving an Exclusive
You’ve probably heard about “exclusives” or “scoops” in the news business, but what is one and how can you use them?
An exclusive is when one media organization, such as a newspaper, is able to publish a news story with information that no one else has. News organizations love exclusive because it forces people to buy their paper or tune into their station for news they can’t get anywhere else. You can love exclusives because news organizations generally give exclusive more space, and other news organizations will be scrambling to cover what they missed.
If you’re a library in a two-newspaper town, like Seattle or Miami, you’ve probably heard a lot of competition between the papers. You’re in an ideal situation to give an exclusive.
When you have newsworthy information that’s not public (yet) and you’re the only person who can (or will) make it public, you can give an exclusive. Exclusives are particularly helpful for you if: (1) you’re afraid the story might get buried; or (2) you want to build a stronger relationship with a journalist.
To give an exclusive, approach a journalist you trust or with whom you want to build a stronger relationship with. When you begin discussing the story with the journalist, tell him or her you’d like to offer an exclusive. If it interests the journalist, you’ll probably get better and stronger coverage.
Your obligation: you absolutely cannot tell another journalist about the news until that journalist’s piece is public.
Conversely, a journalist may discover some news, or for other reasons, ask you for an exclusive. You’re not obligated to do so. Besides, if the news is big enough, why only let one media outlet cover the piece when you could have two—or six—outlets covering it.
When weighing giving an exclusive, you should find out what you get in return for the exclusive. Front-page coverage? Top of the 6 o’clock news? Guaranteed coverage of your pet project in the New York Times? If the deal is good enough, go ahead. But be careful not to overuse exclusives. Sometimes, news is just news.
Hopping onto Trends
Everyone in the news business talks about trends. But they’re not just talking about what your teenager is wearing this year. Trends influence what gets covered, and what doesn’t.
Local journalists are interested in trends because they show that the news they’re reporting isn’t an isolated case—it’s part of something bigger. National journalists love trends because it shows that it’s not just happening in one place—it’s affecting a lot of people.
How can you use trends as a hook for journalists? First, know what trends are happening. Your library may be facing budget cuts—libraries across the nation are facing library cuts. The story you pitch to your local journalist goes from “Our library is facing a $200,000 budget cut this year” to “Our library is facing a $200,000 budget cut this year, part of nationwide cutbacks that are costing libraries billions.” The journalist may like the second pitch, because they’re getting to report on something local with a national dimension.
Conversely, a national paper might cover some aspect of libraries, and you might have an example in your library. You can get coverage by riding on the trend. For example, USA Today might report that libraries are building coffee shops in their libraries to lure people back to the library from Barnes and Noble. You then might contact your local newspaper and point out the article. You could then say, “we’ve have a coffee shop in our library for four years.” The newspaper likes the story because they can say, “Yesterday, USA Today reported an increase in coffee shops in libraries across the nation...”—the national look that journalists like—“Here in our town, the local library has had a coffee shop for four years.” Suddenly, your old-news coffee shop is new news!
The American Library Association Public Information Office frequently uses trends to pitch national articles. National papers don’t want to know just what’s happening in New York or D.C., and often they don’t really care what’s happening in just Denver or Twin Falls, Idaho. But if something’s happening in a dozen—or a hundred—towns, then it’s a trend. And that makes it national news.
Dealing with Bad News
The following section was originally developed by Patricia Glass-Schuman (former ALA president) in ALA’s Library Advocates Handbook.
Inevitably, all organizations have to deal with bad news. Budget cuts. Trimmed hours or closed branches. Parents who want to ban books from the library.
While bad news is never good, it can be turned into a positive media message. For example, when a teenage hacker crashed Seattle’s King County Library System’s computer system, closing the library down for three days, the story became the marvels of the technology rather than its failure, thanks to the library’s quick and thoughtful response.
Some bad news you can see coming—budget cuts are generally in the works for weeks. Others, like crimes, cannot be anticipated. Either way, it’s important for libraries to have a crisis communications plan.
Here is a link to the media relations page where you can find the document “How to Write a Crisis Communication Plan”:
Here are a few tips for handling bad news:
Don’t overreact. If only one small paper carries the story, only respond to that paper. Don’t send out a release to all your media contacts. If they don’t know about the bad news, you probably don’t want to tell them about it.
Be strategic. If the news is huge, consider holding a press conference to communicate the facts, new developments, and the library’s response or message. It will save you time and resource to hold one press conference rather than take a dozen individual interviews.
Speak with one voice. The most common mistake in crisis communications is to have several spokespeople saying different things. Have one spokesperson, or make sure that all your spokespeople are saying the same thing.
Understand interview topics and formats before accepting interviews. During these times, it is very important to be sure you understand the nature of a talk radio show or TV interview before you agree to go on. Don’t speculate. Know who else will be on the show, if there will be call-ins, and what the host’s position is before making a choice to go on. If you don’t think you’ll be giving a fair hearing, it might not be best to accept the interview.
n Focus on the solution. Explain how the library is going to address the situation or say that the library is looking for a speedy solution.
Apologize when appropriate. “We apologize for any inconvenience to our users. We are doing our best to...” Empathize. Convey caring and understanding.
Have all the facts before responding. Often, when news just breaks, not even the media has all the facts. Make sure you know exactly what is going on before responding to something that could just be a rumor or an exaggerated allegation.
Prepare briefing materials. As soon as you can, have briefing materials for the media, with accurate facts included.
Let lawyers reviews statements before releasing them. If this situation has legal implications, make sure you consult with a lawyer before making a statement. Avoid “legalese,” but make sure that what you’re saying is ok to say.
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